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Wstęp
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A CREATOR IN THE AGE OF THE INTERNET BASED ON THE EXAMPLES OF POLISH E-LITERATURE
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THE MYTH OF SACRIFICE AND THE MYTH OF TRUTH IN SLOVAK LITERATURE AFTER THE SECOND WORLD WAR (J. C. HRONSKÝ: ANDREAS BÚR MAJSTER AND DOMINIK TATARKA: FARSKÁ REPUBLIKA AND ESSAYS)
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A WRITER OR A CREATOR OF THE TEXTUAL WORLD: ANTHOLOGY AS A MIRROR OF THE POST-WWII UKRAINIAN LITERATUREgg
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THE MYTHOLOGIES OF THE HISTORICAL NOVEL (BASED ON EXAMPLES FROM POLISH LITERATURE AFTER 1945)
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IS THE WRITER A LOAFER OR ON THE SOCIAL BENEFITS OF DOING NOTHING. THE PROSE OF SRĐAN VALJAREVIĆ
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PROVOCATION, SACRILEGE, INTERTEXTUALITY: STRATEGIES OF (AUTO)MYTHOLOGIZATION IN THE CREATIVE WORKS OF SAVA DAMJANOV
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PROPHET – JESTER – LEGEND: AUTHOR’S TRAJECTORY OF ANATOL SYS
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RECONFIGURATION. DMITRY GLUKHOVSKY AND REALISM
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CZAJKA’S MYTHOLOGIES
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MYTH, WORLD TIME AND SPACE MODELS IN THE POSTMODERN WORKS OF V. PELEVIN.
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MODIFICATION OF THE SOCIALIST REALISTIC CANON OF UKRAINIAN LITERATURE: THE PROBLEM OF DEMYTHOLOGIZATION
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COMIC DEGRADATION OF HIERARCHY OF LITERARY GENRES AND FIGURE OF THE AUTHOR IN THE NOVELS BY MIRJANA ĐURĐEVIĆ
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UNFINISHED CHESS GAME: DEMISTIFICATION OF THE FIGURE OF THE VICTIM AND SUBVERSION OF THE DISCOURSE OF RESPONSIBILITY IN THE NOVEL TODAY IS WEDNESDAY BY DAVID ALBAHARI
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MYTHOLOGIES OF AN ARTIST OF THE THEATRE. KAZIMIERZ DEJMEK AND JERZY GROTOWSKI
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PAVOL STRAUSS – A GENIUS OUTSIDER
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READING THE WORLD. HENRYK WANIEK – AUTHOR, PAINTER, OUTSIDER
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ARTIST, MYTH AND METAPHOR. ABOUT “TREŚĆ UCZUCIOWA REWOLUCJI” BY ANDRZEJ WRÓBLEWSKI
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THE SONS OF STAŚ. COLONIAL MASCULINITIES IN FERDYNAND ANTONI OSSENDOWSKI’S YOUTH NOVELS
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THE BIRTH OF THE AVANT-GARDE: THE 1980S AS A TURNING POINT IN THE HISTORY OF CHINESE POETRY
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LITERARY IMITATION IN SERVICE OF CULTURAL MEMORY – THE COMPARATIVE ANALYSIS OF “NICHIRIN” BY YOKOMITSU RIICHI AND “SALAMMBÔ” BY GUSTAVE FLAUBERT
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Recenzje
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Recenzje
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Omówienia
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Omówienia
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Authors
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