Comparis

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Comparisons, n°23/2018


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1 Wstęp Emila Kledzik, Zbigniew Kopeć
2 A CREATOR IN THE AGE OF THE INTERNET BASED ON THE EXAMPLES OF POLISH E-LITERATURE Elżbieta Winiecka
3 THE MYTH OF SACRIFICE AND THE MYTH OF TRUTH IN SLOVAK LITERATURE AFTER THE SECOND WORLD WAR (J. C. HRONSKÝ: ANDREAS BÚR MAJSTER AND DOMINIK TATARKA: FARSKÁ REPUBLIKA AND ESSAYS) Maria Bátorová
4 A WRITER OR A CREATOR OF THE TEXTUAL WORLD: ANTHOLOGY AS A MIRROR OF THE POST-WWII UKRAINIAN LITERATUREgg Olena Haleta
5 THE MYTHOLOGIES OF THE HISTORICAL NOVEL (BASED ON EXAMPLES FROM POLISH LITERATURE AFTER 1945) Paweł Tomczok
6 IS THE WRITER A LOAFER OR ON THE SOCIAL BENEFITS OF DOING NOTHING. THE PROSE OF SRĐAN VALJAREVIĆ Sylwia Nowak-Bajcar
7 PROVOCATION, SACRILEGE, INTERTEXTUALITY: STRATEGIES OF (AUTO)MYTHOLOGIZATION IN THE CREATIVE WORKS OF SAVA DAMJANOV Ałła Tatarenko
8 PROPHET – JESTER – LEGEND: AUTHOR’S TRAJECTORY OF ANATOL SYS Siergiej Kowalov
9 RECONFIGURATION. DMITRY GLUKHOVSKY AND REALISM Anna Przybysz
10 CZAJKA’S MYTHOLOGIES Marta Tomczok
11 MYTH, WORLD TIME AND SPACE MODELS IN THE POSTMODERN WORKS OF V. PELEVIN. Josef Dohnal, Assel Abaganova
12 MODIFICATION OF THE SOCIALIST REALISTIC CANON OF UKRAINIAN LITERATURE: THE PROBLEM OF DEMYTHOLOGIZATION Ulyana Fedoriv
13 COMIC DEGRADATION OF HIERARCHY OF LITERARY GENRES AND FIGURE OF THE AUTHOR IN THE NOVELS BY MIRJANA ĐURĐEVIĆ Igor Perišić
14 UNFINISHED CHESS GAME: DEMISTIFICATION OF THE FIGURE OF THE VICTIM AND SUBVERSION OF THE DISCOURSE OF RESPONSIBILITY IN THE NOVEL TODAY IS WEDNESDAY BY DAVID ALBAHARI Tatjana Rosić
15 MYTHOLOGIES OF AN ARTIST OF THE THEATRE. KAZIMIERZ DEJMEK AND JERZY GROTOWSKI Anna Sobiecka
16 PAVOL STRAUSS – A GENIUS OUTSIDER Tibor Žilka
17 READING THE WORLD. HENRYK WANIEK – AUTHOR, PAINTER, OUTSIDER Kornelia Ćwiklak
18 ARTIST, MYTH AND METAPHOR. ABOUT “TREŚĆ UCZUCIOWA REWOLUCJI” BY ANDRZEJ WRÓBLEWSKI Daria Nowicka
19 THE SONS OF STAŚ. COLONIAL MASCULINITIES IN FERDYNAND ANTONI OSSENDOWSKI’S YOUTH NOVELS Wacław Forajter
20 THE BIRTH OF THE AVANT-GARDE: THE 1980S AS A TURNING POINT IN THE HISTORY OF CHINESE POETRY Joanna Krenz
21 LITERARY IMITATION IN SERVICE OF CULTURAL MEMORY – THE COMPARATIVE ANALYSIS OF “NICHIRIN” BY YOKOMITSU RIICHI AND “SALAMMBÔ” BY GUSTAVE FLAUBERT Hanna Kelner
22 Recenzje Redakcja
23 Omówienia Redakcja
24 Authors Redakcja
 

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