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Comparisons, n°23/2018


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4 LITERARY IMITATION IN SERVICE OF CULTURAL MEMORY – THE COMPARATIVE ANALYSIS OF “NICHIRIN” BY YOKOMITSU RIICHI AND “SALAMMBÔ” BY GUSTAVE FLAUBERT Hanna Kelner
5 THE BIRTH OF THE AVANT-GARDE: THE 1980S AS A TURNING POINT IN THE HISTORY OF CHINESE POETRY Joanna Krenz
6 THE SONS OF STAŚ. COLONIAL MASCULINITIES IN FERDYNAND ANTONI OSSENDOWSKI’S YOUTH NOVELS Wacław Forajter
7 ARTIST, MYTH AND METAPHOR. ABOUT “TREŚĆ UCZUCIOWA REWOLUCJI” BY ANDRZEJ WRÓBLEWSKI Daria Nowicka
8 READING THE WORLD. HENRYK WANIEK – AUTHOR, PAINTER, OUTSIDER Kornelia Ćwiklak
9 PAVOL STRAUSS – A GENIUS OUTSIDER Tibor Žilka
10 MYTHOLOGIES OF AN ARTIST OF THE THEATRE. KAZIMIERZ DEJMEK AND JERZY GROTOWSKI Anna Sobiecka
11 UNFINISHED CHESS GAME: DEMISTIFICATION OF THE FIGURE OF THE VICTIM AND SUBVERSION OF THE DISCOURSE OF RESPONSIBILITY IN THE NOVEL TODAY IS WEDNESDAY BY DAVID ALBAHARI Tatjana Rosić
12 COMIC DEGRADATION OF HIERARCHY OF LITERARY GENRES AND FIGURE OF THE AUTHOR IN THE NOVELS BY MIRJANA ĐURĐEVIĆ Igor Perišić
13 MODIFICATION OF THE SOCIALIST REALISTIC CANON OF UKRAINIAN LITERATURE: THE PROBLEM OF DEMYTHOLOGIZATION Ulyana Fedoriv
14 MYTH, WORLD TIME AND SPACE MODELS IN THE POSTMODERN WORKS OF V. PELEVIN. Josef Dohnal, Assel Abaganova
15 CZAJKA’S MYTHOLOGIES Marta Tomczok
16 RECONFIGURATION. DMITRY GLUKHOVSKY AND REALISM Anna Przybysz
17 PROPHET – JESTER – LEGEND: AUTHOR’S TRAJECTORY OF ANATOL SYS Siergiej Kowalov
18 PROVOCATION, SACRILEGE, INTERTEXTUALITY: STRATEGIES OF (AUTO)MYTHOLOGIZATION IN THE CREATIVE WORKS OF SAVA DAMJANOV Ałła Tatarenko
19 IS THE WRITER A LOAFER OR ON THE SOCIAL BENEFITS OF DOING NOTHING. THE PROSE OF SRĐAN VALJAREVIĆ Sylwia Nowak-Bajcar
20 THE MYTHOLOGIES OF THE HISTORICAL NOVEL (BASED ON EXAMPLES FROM POLISH LITERATURE AFTER 1945) Paweł Tomczok
 
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